Spending a night alone at my cabin in the mountains—cradled by
peaks holding snow—I have time to think.
I can assess what I have done in this life.
What have I done?
Consider.
With a thrown handful of stones, I knocked a baby robin out of a
tree when I was ten. I kissed the wrong
girl three times. The first time I heard
Nights in White Satin by the Moody Blues, I quite literally stopped in my
tracks and I listened to the song pouring from a store I was passing until the
song ended. I held cats until they
squirmed in discomfort. I made my
grandmother laugh with my dumbest jokes.
I sanded boards against the grain.
I gave money to people when they needed it. I hugged my dog and wept the night before my
mother put him to sleep because he was too aggressive in protecting me. I held Uyen’s hand while the final silence
drew her voice and her perfect smile away from me. I carried the ashes of my sister before we committed
her to the wildflowers on an open hillside.
With my own hands, I constructed my house and this cabin where I now sit
writing.
Last evening, I walked along the murmuring waters of the creek. Two pine siskins followed me—swinging from
tree to tree as if on invisible pendulums.
In the west, the sun had crashed against something unseen and erupted in
orange and pink. Hordes of yellow arnica
flowers nodded at me along the forest floor beyond the creek. “I love you,” I said to the birds.
So, what have I done?
I have walked along the creek with two birds. I walked them into their darkness and mine. And now, early this morning, light is discovering
me here in this misty mountain valley.
Today, as every day, I begin anew.
—Mitchell Hegman
I suppose it is cliched to Montanans, but I have found so many of Norman Maclean's quotes to be appropriately fitting as I have grown older and recognize moments like have described for what they are.
ReplyDelete“One of life's quiet excitements is to stand somewhat apart from yourself and watch yourself softly becoming the author of something beautiful even if it is only a floating ash.”
Norman Maclean and Ivan Doig worked magic with words. When I read their stuff, I often stop, close the book, close my eyes, and make my version of some image they have expressed.
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