My cabin is tucked into a narrow mountain valley
within hiking distance of Continental Divide.
This is a land that holds you within sharp inclines, exposed walls of natural
stone, and endless colonnades created by lodgepole pine forests. Spending a full day there is like living
within a palace painted by mountain light.
This time of year, the colors and natural riches often verge on
overwhelming.
With neither shadow nor blade, the first light pours
into my valley like a kind of gold-colored liquid from the far side of the
mountains. If I rise early in the
bird-song hours, I can step out into the forest and briefly capture the gold in
the palms of my hands. That is also when
the deer slowly migrate through the meadow, nibbling at some of the wildflowers
and brush.
By late morning, the light has become bright and
directional. Tall pines scissor and clip
the light, crafting green shreds that span from tree to tree and drape across
the forest floor. Small birds fly from
tree to tree seemingly blinking on and off in the strobes of light and shadow. Reaching the full intensity across the
swaggering waters of Hogum Creek, the sunlight mints quicksilver coins on the
surface of the creek. The coins rise and
fall and then sink away in the dark shaded holes.
The last of full light is best. The day flowers have come fully alive. Bees and butterflies swirl up and down within
the final piers of white light. The deer
wander back through the meadow. The sun,
while slicing down against the western mountains, reaches back to touch the flowers
one last time and makes them precious. This
light is my favorite for photography.
Posted are a few photos taken outside my cabin a
couple days ago.
--Mitchell Hegman
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