Though Liztomania
sounds like a country that may be placed squarely between Romania and Serbia,
the word is really a precursor to Beatlemania
or perhaps Justin Biebermania (if
such a thing exists). The name was given
to the fervor associated with the famous Hungarian pianist (later turned
composer) Franz Liszt.
Back in the day, Franz pretty much tore it up.
The day—even if you are not enquiring—would have
been in the 1840s. Liszt was then a
pianist in the prime of his life. I
bring all of this to light on the occasion that yesterday happened to be the
202nd birthday of Franz Liszt.
Here is the thing (my apologies to any Lisztomanics
yet out there), Franz Liszt has a (here it comes) liszt of contributions that
he brought to the performance arts.
Franz Liszt was, literally, the world’s first music
superstar. At the peak of Lisztomania, women
fought to garner his gloves or any other personal articles. Some reports have women throwing their own
articles of clothing onto the stage while he performed. Liszt made so much money touring throughout
Europe during his prime he gave away much of his income in later years to various
charities. He is even credited with
inventing the term “recital.”
Franz Liszt, in a spark of brilliant showmanship,
turned his piano to sit on profile with respect to the audience so that they
could see his face and hands as he played.
He was the first person to regularly play music from memory rather than
from scores. While performing, he swayed
and fluttered his hands in drama. Franz
tossed his shoulder-length hair back and forth.
He was the first performer to stride out and take his place on the stage
at the beginning of a concert and once there, the audience soon fell into what
seemed a spell—a spell created by the power of his total commitment to the
performance. Some consider him the best
pianist that ever lived.
And then, while in his 30s, Franz Liszt walked away
from the spotlight and the fame to concentrate on composition and conducting.
--Mitchell
Hegman
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